A bank of licks for you to use in the style of John Scofield, Mike Stern, and Tom Quayle.

Last lesson of the mini series about adding a jazz feel to a blues song

Let's learn some Charlie Parker / Bebop licks over a II V I progression in the key of Bb Major.

Using a diminished arpeggio in a Mixolydian context can really help your ideas. This lesson will show you how.

The Bebop Dominant Scale is basically a Mixolydian mode with an extra note : a natural 7th. Used in Jazz of course, but also in Jazz Fusion, to add interesting colors to your improvisations.

A song-like form of a lesson that has all the parts that are needed for one metal song, but in shorter version. We will cover techniques needed to play this piece, and music theory behind it. Bebop and blues SCALE usage is featured in this lesson. There is a small lead section as well.

A Bebop solo over the chord progression of Charlie Parker's Ornithology

In this intermediate/advanced take on the A Mixolydian and A Major Pentatonic Scale - we will cover the following: alternate picking, sliding, arpeggios, different timings and much more...

We'll talk about the Mixolydian mode. This mode is the 5th mode extracted from the Major scale.